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Dancemakers: Teachers' Notes for Years 11–13

Dance Phrases

On this page: About this chapter | Curriculum links | 1. Outside The Square | 2. Quintet | 3. Plumage | 4. Mursh Mellow | 5. How Ugly Is That Duckling | 6. Kura | 7. Kura

About this chapter

You can use the dance phrases in this chapter for a variety of purposes, for example, to:

  • illustrate particular ways of moving, such as circular movements or the use of a variety of levels in one phrase
  • help students develop an awareness of good technique
  • stimulate students' movement ideas for choreographic tasks
  • illustrate the characteristics of contemporary dance
  • illustrate performance techniques, such as focus.

Students could:

  • learn the phrase (Note that not all phrases are suitable for level 1 students.)
  • learn a modified version of the phrase
  • use some vocabulary from the phrase
  • use the phrase as the starting point of a composition
  • perform the phrase for NCEA 1.2 (Note that some phrases are more suitable and accessible for year 11 students than others.)
  • combine several of the phrases into a larger group dance.

Curriculum links

The work described could contribute to teaching and learning in the following unit and achievement standards (which link to the NZQA website):

Level 1

1. Outside The Square

Erratum
Please note that the first item in the DVD chapter Dance Phrases is incorrectly identified. This dance phrase comes from Outside the Square.

Duration – 33 seconds.

You can use this sequence to illustrate:

  • changes of level throughout the phrase
  • flow from one movement to the next.

Students could:

2. Quintet

Duration – 17 seconds.

You can use this sequence to illustrate:

  • the use of straight lines and angular shapes
  • the use of sharp movements.

Students could:

  • explore the use of straight lines and sharp angles in still shapes
  • explore using straight lines and sharp angles in movement
  • explore using straight and zigzag pathways
  • use the final position in the phrase as the beginning shape of a new sequence that uses straight lines and sharp angles.

Students could combine these sequences into a duet.

3. Plumage

Duration – 26 seconds

You can use this sequence to illustrate:

  • interesting ways of going down to and up from the floor
  • a variety of focus
  • moments of stillness in a shape
  • unusual travelling movements
  • the use of a variety of facings
  • the use of the diagonal.

Students could:

  • extend the sequence by adding more unusual travelling movements
  • add a sequence of movement to the beginning of the sequence shown. This sequence could include:
    • unusual travelling movements
    • a variety of ways of going down to and up from the floor
    • a specific focus point.

4. Mursh Mellow

Duration – 16 seconds.

You can use this sequence to illustrate bringing the focus to different body parts.

Students could:

  • identify which body parts are important in each movement of the sequence
  • learn the sequence
  • extend the sequence using movements that emphasise a variety of body parts
  • make a sequence of their own that emphasises a variety of body parts.

5. How Ugly Is That Duckling

Duration – 13 seconds

You can use this sequence to illustrate:

  • bouncy movements
  • big movements of the arms and legs
  • explosive movement
  • step-hops that use a large space
  • continuous flow
  • rhythm.

Students could choreograph a sequence that:

  • uses big movements
  • travels through a lot of space
  • has explosive energy.

6. Kura

Duration – 12 seconds.

You can use this sequence to illustrate:

  • arms reaching and curling
  • the use of arms reaching to take the body into space.

Students could:

  • identify movements that relate to kōwhaiwhai patterns
  • explore reaching, using different directions and levels
  • use reaching to initiate steps, lunges, slides, and swings
  • make a sequence using the movement they have explored above
  • add circular and spiral pathways
  • choreograph their own dance inspired by kōwhaiwhai patterns.

7. Kura

Duration – 22 seconds.

You can use this sequence to illustrate:

  • the use of circular movements
  • the use of contrasting angular movements.

Students could:

  • identify the circles or parts of circles they see in the sequence
  • identify the contrasting angular movements
  • make a sequence in which circles are important, using some movements from the phrase and adding some of their own. (This could be used for 1AS 90001 Dance 1.1 Compose movement sequences.)

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