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Maori Language
Maui - One Man Against The Gods.
Papakainga
Toi Ataata

Ngā ihirangi

Maramataka

Āwhina

Toi Ataata
Ngā Mahi a te Rehia

He kōrero mō te kaimahi toi

Kohinga rawa whakaako

Hononga

Ngā Mahi a te Rehia
Toi Puoro

He kōrero mō te kaimahi toi

Kohinga rawa whakaako

Hononga

Toi Puoro

He kōrero mō te kaimahi toi

Kohinga rawa whakaako

He whakaaro mō te akomanga

He papa tauira mō te mahere kōwae

Ngā rauemi kua puta

Aratohu mā te Pouako mō Māui

Hononga

Whakahiki Pukenga

Rauemi whakahiki pūkenga

Tāngata whakapā

Unwrapping the Arts

Dance Drama
Music Visual Arts

Unit 1: Wharekura

Writers: Bert Van Dijk and Rawiri Hindle

How to use this unit

Unit 1 is aimed at wharekura students, years 10–13, and focuses on the three disciplines of Ngā Toi. The unit is written as an example to help teachers plan their own programmes using their own ideas.

Prior to undertaking this unit of work, there is a comparison study exercise that could be used with wharekura students. The questions directly relate to seeing the production and/or DVD, Māui – One man against the gods.

Dramatise the story of ‘Māui me te Rā’

The following outlines dramatising the story of ‘Māui me te Rā’ using Toi Ataata, Toi Puoro and Ngā Mahi a Te Rēhia in collaboration.

Māui me te Rā

This process could be used with any of the Māui stories.

Beat 1

Many years ago the sun travelled so fast across the sky that people had no time to tend to their gardens, or go about their daily business. They complained to Māui and asked him to do something about it.

Beat 2

Māui called on his brothers to work with him to slow down the sun. They wove long ropes from the harakeke (flax) bushes growing near their village.

Beat 3

When these were finished, the brothers carried the ropes up the highest mountain and laid in wait for the sun to appear in the morning sky.

Beat 4

Throughout the cold night, Māui encouraged his brothers to have confidence in their strength. Soon, the sun's rays were seen shining over the peak of the mountain.

Beat 5

Excitedly, the men threw the ropes over the sun and held on tightly while Māui beat it with a stick.

Beat 6

The sun was very angry and struggled. He called out to Māui, "Why do you beat me? Let me go."

Beat 7

Māui told the sun that if it did not slow down, the people would have no time to grow and prepare food and therefore die.

Beat 8

Finally, Māui's strength and willpower prevailed and the sun hobbled slowly away from the net of ropes and across the sky.

Beat 9

Down in the fields, the people celebrated and cheered for Māui and his brothers. Slowing the sun meant that there was time for people to go about their daily business and get all their chores done and still have time in the day for leisure activities.

Mahi a Te Rēhia ideas

Dramaturgy

Dramaturgy process:

Step 1:

Choose a story that you want to perform or play with - Māui me te Rā.

Step 2:

Divide the story into scenes and beats.

Step 3:

Read the story aloud, slowly and clearly. Insist that the listeners listen to the story with their eyes closed in order to imagine the story and allow for a free flow of images.

Step 4:

Provide the participants with paper and crayons or paint. Ask them to create a picture or colour impression that represents the overall atmosphere or the metaphorical meaning of the story. Take 5-10 minutes per drawing.

Step 5:

Show each other the drawings and ask the participants to comment on their own work. It is important to give everybody a chance to talk about their first overall drawing.

Step 6:

Read out the passage of the story that makes up beat 1. Listen with eyes closed. Paint or draw the essence of this beat. Look at all the drawings but ask only a few participants to comment. Collectively agree on a short title (2–3 words) that summarizes the essence of this beat.

Step 7:

Repeat this process for all remaining beats: read / listen / draw / title.

Step 8:

Each participant will finally arrange their drawings in order and attach them to the wall for future reference.

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Questions

View the DVD of Māui – One man against the gods and compare the story of Māui and Tama-nui-te-rā as told in the dramaturgy exercise to the portrayal on the DVD.

Comment on these questions:

  1. What did you see in the show that was similar to the dramaturgical story of Māui me te Rā?

  2. Comment on what was different between the stories? Did you like or dislike the changes? Why did you like or dislike the changes?

Activity Focus Resources
Dramaturgy
   
  • Toi Ataata
  • Tell story
  • Create image of overall atmosphere (mahi, mōhiotanga)
  • Create image of each beat (mahi, mōhiotanga)
  • Find titles for each beat
  • Dramaturgy
  • Story, text, scene analysis
  • Narrative theatre verse image-based theatre
  • Ngā Mahi a Te Rēhia – Ngā Huānga
  • Copies of the story
  • Crayons and paper
  • Whiteboard
  • Whiteboard pens
  • Vivids
Composition
   
  • Mahi a Te Rēhia/Puoro
  • Tell story
  • Taiaha class (mahi)
  • Puoro – musical instruments session (tūhura)
  • Voice and rhythm class (mahi)
  • Create waiata (tūhura, mahi, mōhiotanga)
  • Create soundscape (tūhura, mahi, mōhiotanga)
  • Building movement vocabulary
  • Exploration of composition process
  • Song writing and composition
  • Vocal and sound score story
  • Ngā mahi a Te Rēhia – Whenu
  • Musical instruments
  • Taiaha
  • Piano
  • Paper
  • Recording equipment
Choreography
   
  • Mahi a Te Rēhia/Puoro
  • Tell story
  • Muscle and bone class (mahi, tūhura)
  • Voice and singing class (mahi)
  • Choreographic image work (tūhura)
  • Create actions for each section (tūhura)
  • Extended movement vocabulary
  • Explore choreographic process
  • Physical score story
  • Music tapes / CDs
  • Handout score
  • Paper
Objects
   
  • Mahi a Te Rēhia/Puoro
  • Tell story
  • Waiata / taiaha / rākau (tūhura, mahi)
  • Voice and waiata practice (tūhura, mahi)
  • Object metaphor and puppetry (tūhura, mahi)
  • Fire poi (tūhura, mōhiotanga)
  • Object animation
  • Creating puppets
  • Dance of objects
  • Ngā mahi a Te Rēhia – kōeke
  • Fire poi
  • Pegasol
  • Gaffer tape
  • Split bamboo
  • Willow twigs
  • Rākau materials
Weave together
   
  • Mahi a Te Rēhia/Puoro
  • Tell story
  • Movement and voice class (mahi)
  • Waiata practice (mahi)
  • Weave score together (mōhiotanga, tūhura, mahi)
  • Sharing (maioha)
  • Bringing the elements together
  • Informal showing / sharing
  • Emphasis importance of process above end result
  • Reflection / questions and completion
  • Video equipment
  • Māori musical instruments

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Process outline

  1. Step 1 Choose a story that you would like to perform or explore in your class. (Māui me te Rā)
  2. Step 2 Divide the story into scenes and beats, and number both.
  3. Step 3 Create a drawing for each beat and the overall essence and come up with a short title for each beat that captures its essence.
  4. Step 4 Identify the moments or sections of the story that need a song. Split into smaller groups to compose songs and soundscape (musical instruments / pre-recorded music / percussion).
  5. Step 5 Identify the main actions of the story. Split into smaller groups to choreograph specific sections or actions.
  6. Step 6 Identify the moments that need dialogue. Organise some writers to write the dialogue.
  7. Step 7 Organise time for the different groups to teach waiata, soundscape, actions and dialogue.
  8. Step 8 Weave the performance score together and rehearse, sorting out the connections and problems as they appear.
  9. Step 9 Organise the performance space (seats, props, costumes, etc.).
  10. Step 10 Invite the audience and perform the story.

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